“7.9…a welcoming security blanket for the winter’s thaw…” – Pitchfork :: "...a masterpiece..." - Rolling Stone :: “…blissful, atmospheric, space-rock…a serene and somber mix…deftly and beautifully orchestrated sound…” – NPR :: “4 stars out of 5 — With a symphonic sense of purpose, the volume ratchets ever upward before exhaling through a sequence of lush but ephemeral tracks…” – Alternative Press :: “The record is not particularly filled with darkness or light, rather it exists like a nebulous dream that carries with it a mysterious set of sequences upon awakening.” – Three Imaginary Girls :: “…pure joy.” – American Songwriter :: “…cool, smart, absorbing audio waves that are ultimately smooth and calming.” – babysue :: “…the group know how to spin a good epic…” – Exclaim! :: “Sunshine, starlight, warm oceans, blissful drifting…” – Americana UK :: “…the closer “Ljiv” is about as timeless a piece of music as one could possibly imagine.” – Textura :: “…perfect starry-night drive record…truly a gem…” – Playback STL :: “…breathtaking and gorgeous…” – Flagpole :: “…Jordan’s writing skillfully swerves between heartstring-tugging post rock instrumentals and echoing dream-pop ballads…Recommended.” – Boomkat (UK) :: “…pacificUV’s longplay 2 is like, god oh god, so much more open-hearted and just…. lump-in-throat, memories rushing through your brain, cinematic and huge.” – Ink 19 :: “…Longplay 2 not only mines rock touchstones, it does so damn well.” – Williamette Week :: ”…an album with no shortage of calm, atmospheric buildups showcasing a subtly dramatic shoegaze music." – Daily Vanguard :: “…when you listen to the hazy post-shoegaze atmospheric jams of Longplay 2, you don’t hear anything remotely resembling our city or their Southern roots. The band might as well have traveled from the UK via cosmic spaceship.” – Portland Mercury :: “Like some sublime gaseous mass, UV’s wonderful orchestrations expand to occupy whatever space is allowed. Something Told Us contains the most stunning crescendo of the year, though also competing for that distinction is the album’s longest cut, “Orson” - Delusions of Adequacy